BY GREG OLWELL | FROM THE SPRING 2019 ISSUE OF UKULELE
The worlds of electric guitars and electric basses are filled with instruments co-designed with artist i... Read More...
BY GREG OLWELL | FROM THE WINTER 2018 ISSUE OF UKULELE
THE LOOK For the unsubtle strummer, a brightly colored banjo-ukulele just seems so right. Gold Tone’s ne... Read More...
BY E.E. BRADMAN | FROM THE WINTER 2018 ISSUE OF UKULELE
In the last few years, Kala’s line of U-Basses has made quite a splash. The company’s nearly 20 bass uk... Read More...
BY GREG OLWELL | FROM THE FALL 2018 ISSUE OF UKULELE
Looking very modern industrial with their anthracite color, the new Martin Ukulele Premium strings were de... Read More...
BY BILL LEIGH | FROM THE SUMMER 2018 ISSUE OF UKULELE
Ovation has been offering its distinctive bowl-back guitars for more than 50 years. Made of a composite m... Read More...
BY GREG OLWELL | FROM THE SUMMER 2018 ISSUE OF UKULELE
One of the first things to know about Pepe Romero Jr. is that he is a member of the illustrious Romero f... Read More...
From the Fall 2017 issue of Ukulele | BY GREG OLWELL
In talking with both ukulele players and manufacturers, one area of agreement that keeps coming up is that... Read More...
From the Summer 2017 issue of Ukulele | BY AARON KEIM
It doesn’t matter how good a uke looks or how much you paid for it. If it doesn’t play easily, it is no f... Read More...
By Greg Olwell
After earning its stripes with clever body-hugging gig bag designs for electric basses and guitars, GruvGear recently moved into the ukulele wor... Read More...
From the Winter 2016 issue of Ukulele | BY GREG OLWELL
One of the things that everyone seems to know about resonator ukuleles is that they’re loud. Play one th... Read More...
